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This piece is inspired by the traditions of a community from the Sierra Huasteca of eastern Mexico in which, once a year, they spend the night naming all the things that exist so that they will continue to exist with the coming of dawn. The video is based on the image and sound of a stream of water that is suddenly interrupted, interspersed with the voices of speakers of Indigenous languages pronouncing ways of naming water in their tongues.
These words, embroidered and framed by hoops, form part of the piece. Candiani denounces the disappearance both of these languages as well as of sources of water, understanding the act of naming as a form of resistance and preservation.
Curator
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This piece forms part of Candiani’s explorations of water.
Connected to Name the Water, in this installation the artist
creates a visual representation in carved stone of the sound of
words for bodies of water in different Indigenous languages.
The porosity and resistance of the material speak to solidity and
preservation and contrast with the ephemerality of sound and
the fluidity of water as an element. This installation emphasizes
coexistence with nature and the preservation of bodies of water,
alluding to the destruction of the environment by extractivist
activities.
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